Tuesday, June 3, 2008

Latest gadgets: Bluetooth stylus pen with built-in headset…


Check out this, just recently featured what looks to be just like any ordinary stylus pen is in fact equipped with built-in speaker and microphone, a very clever idea indeed!

Latest gadgets: Bluetooth stylus pen with built-in headset…

Here are some of its features:

  • Technology standard: Bluetooth V2.0 and EDR
  • Support for iPhone (Bluetooth Handfree)
  • Chipset: BlueCore 4-audio
  • Supported Profiles: Headset and Handsfree profile
  • Additional function: Stylus
  • Transmitter power: Class 2
  • Wireless frequency: 2.4 to 2.480GHz
  • Sensitive: <-75dBm
  • Transmitter distance: 10m
  • Supports last number, answer, reject, end and call functions
  • Charger Output: 5V DC
  • Working voltage: 3.7V
  • Battery: rechargeable Li-polymer
  • Charging time: 2 to 5 hours
  • Talking time: 3 hours
  • Standby time: 90 hours
  • Headset size: 112×14×11 mm
  • Headset weight: 11g

Latest gadgets: Bluetooth stylus pen with built-in headset…

It comes with headphones and also is charged using USB, all this is included for a total price of $30 over at Brando.

[via GeekAlerts]

Why should you switch from Firefox to Opera…


I’m a huge fan of Firefox and have been using it almost since it was first introduced, I like the add-ons, themes, its look and good stability, there’s also a huge community of people using it on the web as well. However, recently we talked about the Acid 2 test, a test which examines how well the browsers out there perform in terms of html and also css, etc… As you will remember, from the results, out of the six browsers that were tested, only Opera and Safari passed. The fact that Firefox didn’t pass didn’t really influence me that much at the time and I just kept using it, however, just yesterday I read that the latest Opera, Opera 9.5 beta2 actually out performs Firefox by a considerable margin.

Why should you switch from Firefox to Opera…

Here’s what Opera does well:

  • “Every page loads faster and this is something measurable even without having to use a stopwatch”
  • Opera uses 30% less RAM when the same number of tabs are opened
  • Visible wise, the scrolling page function in Opera is much more smoother when compared with other web browsers
  • Opera’s built-in e-mail client features improved responsiveness
  • Supports cutting edge Web standards and the upcoming web developer tools
  • Syncs your bookmarks and Speed Dial between your computers and mobile phone
  • A tiny minor feature is that the browser lights up tabs and query buttons, when you pass the mouse over them =)

I think in my view, Acid 2 tests don’t bother me, all the sync for bookmarks / Speed Dial isn’t my kind of thing neither, but RAM consumption is (because I’m still using Windows XP on a rather old aged pc) and for that reason I might give it a try.

If you’re interested in relieving some of the pressure your browser gives your pc, feel free to give Opera a try, click here for the download page.

[via OnSoftware]

Lamborghini Reventon unboxing pics, must see!!!

Lamborghini Reventon unboxing pics, must see!!!

Last year in September, we talked about the Lamborghini Reventon and what a special car it would be when it kicks into production. So special that a very limited quantity of just 20 will be produced, that number I think even restricts Top Gear from getting their hands on the car to be honest!

Lamborghini Reventon unboxing pics, must see!!!


Now that the car(s) have began production, it’s even more special, only one of the 20 Lambos be dealt with through a car dealership just like what anyone would do in order to get a car. The pics below shows the first Reventon, number 1 out of 20 and also the only one to be bought through dealership, in this case, it was in Las Vegas. I think all the others will go straight to their owners from factory after being made because of pre-orders.

Lamborghini Reventon unboxing pics, must see!!!

Lamborghini Reventon unboxing pics, must see!!!

Lamborghini Reventon unboxing pics, must see!!!

Lamborghini Reventon unboxing pics, must see!!!

Lamborghini Reventon unboxing pics, must see!!!

Lamborghini Reventon unboxing pics, must see!!!

This last picture is actually quite funny, don’t know why the police were also involved! Their supervision was needed or were they there also for the glorious moment? This car is so precious, I would hate to be the one driving it, what do I do if I get abit of dust over its hood???

[via Autoblog]

Latest designs: The Ripple Faucet is not your typical bathroom sink…


Check out the Ripple Faucet, I’m sure from what you see, you will agree that this is no ordinary sink! Not even the fanciest hotels I’ve been in have got anything similar to this. You might wonder what a faucet is, well a faucet is a device for regulating the flow of a liquid from a reservoir such as a pipe or drum. From the picture you will agree that the Ripple Faucet is certainly a design filled with posh elegance integrated cleverly with a tiny bit of LED technology.

Latest designs: The Ripple Faucet is not your typical bathroom sink…

The faucet’s visual system is comprised of the ripple interface surface, two channels from which water flows and a metal ball that sits on top of the rippled surface which is used to control the faucet. By using this cleverly designed method, moving the metal ball away from the center increases flow and moving around the circles controls the temperature!

As you can see it’s equipped with LED underneath it, this has been tuned so that intensity and color of the LED are lit up according to the flow and water temperature.

Latest designs: The Ripple Faucet is not your typical bathroom sink…

Under the ripple surface there is an array of sensors and electromagnets that provide tactile feedback to the user as she moves the ball to discrete points on the surface.

I’m sure with a sink (or ‘faucet’) like this in your home, anything next to it will look nicer, even just a plain bar of soap! Visit Touch360 for more info using the link below…

[via Touch360]

Latest technology from Samsung: 82″ Ultra definition LCD TV…


Check this out, I’m well impressed by Samsung’s latest creation, shall I say ultra definition? This tele has a staggering 82-inch size LCD screen, 120Hz, it’s QuadHD and is able to deliver a resolution of 3840 x 2160! It’s said that two more variations of it will be available. One of them will be an 82-inch ‘e-board’ with multi-touch screen designed to replace whiteboards and projectors. And the other one will be a DID (Digital Information Display) which will be perfect for providing 3D imagery. Pricing and availability have not yet been announced…

Latest technology from Samsung: 82? Ultra definition LCD TV…

Latest technology from Samsung: 82? Ultra definition LCD TV…

SEOUL, KOREA – May 19, 2008 – Demonstrating its world leadership in display technologies, Samsung Electronics Co. will exhibit innovative new products ranging from large-screen LCD panels for televisions and digital information displays, to the most advanced mobile products, at the Society for Information Display (SID) International Symposium, Seminar and Exhibition on May 18-23.

At SID 2008, Samsung will unveil the industry’s first 82-inch LCD TV panel with ultra-definition (3,840 x 2,160 pixels) resolution at a 120Hz refresh rate. It displays ultra-definition (UD) resolution at 120 frames per second, minimizing the blurring that is experienced at 60Hz. A red/green/blue LED backlight has been added to raise true color saturation to 150 percent, based on the NISC standard of 100 percent.

“This 82-inch LCD is large enough to cover all viewing angles with ultra-definition resolution and a 120Hz refresh rate that will allow viewers to watch motion pictures as if they are really in them,” said Sang Soo Kim, executive vice president of the LCD Technology Center at Samsung Electronics. “It is the optimal display for future TVs.”

Samsung will also introduce an 82-inch “e-board” with a multi-touch screen, which is a product that is destined to replace whiteboards and beam projectors. It was created using a 60Hz UD LCD panel and is the largest panel of its kind with a multi-touch screen. At the same time, UD resolution is built-in to deliver the very best digital information display.

Additionally, Samsung will exhibit a multi-view digital information display (DID) that delivers 3D images without requiring special glasses. The company is confident that this display can establish a new niche market apart from other DIDs previously introduced.

A 40-inch full-HD LCD TV panel will also be showcased that operates with only two source driver ICs, instead of the normal combination of six source drivers and three gate drivers. This breakthrough lowers production costs and will make LCD TVs affordable to many more consumers.

Finally, Samsung will introduce a 15-inch LCD with “blue phase mode,” and 2.3-inch e-paper that uses electrodes made from carbon nanotubes for enhanced “fold-ability.” Visitors will be able to view these and other products, such as a multi-tasking monitor with 16:9 aspect ratio and environment-friendly panels for TVs at the Samsung SID booth.

For more information, please visit Samsung Electronics at booth 508 at the 2008 SID International Symposium, Seminar and Exhibition at the Los Angeles Convention Center.

Latest technology: Will e-paper replace traditional newspapers???


As we all know it Epson is one of the world’s leading firm in consumer products like printers and photocopiers. And rightly so, Epson has now taken the first step in producing a product (not just a concept) much better than the likes of electronic e-book readers that may just possibly replace our daily news reads in the future.

You will see why I say so just from looking at this image…

Latest technology: Will e-paper replace traditional newspapers???

The fact that the quality of it is so incredibly good, you can barely tell it’s not paper! With a size of 13.4-inch (A4-size), its pixels count is 3104 × 4128 and definition achieves as high as 385ppi.

The new electronic paper was developed by combining electrophoretic electronic ink of E Ink Corp and a low-temperature polycrystal Si-TFT of Seiko Epson. The TFT was formed on a glass substrate. Its contrast ratio is 10:1 and reflectance is 40%.

Epson believes the future market will focus on selling electronic paper, I agree this is great for the environment, but there will always be people who like to get hold of an actual piece of paper and be able to fold it, it’s that ‘tactile feedback’ that the e-paper may not be able to offer. Plus with the increase in the use of RSS feeds and newsreaders, etc… will there still be a place for newspaper in the future?

Latest gadgets: Vision Tracking System Camera Car - it’s a R/C car…

This R/C car has a hefty name: Vision Tracking System (VTS) Camera Car, the reason for that is because it’s no ordinary toy. The VTS Camera Car, as you can tell from its name, puts you on the spot as though you were driving it at its level. How does it do it? Well the driver sitting on the car actually has a camera-equipped head and by putting on some VGA resolution goggles, you will experience the thrill that he has to go through (controlled by you!).

rc%20car Latest gadgets: Vision Tracking System Camera Car - its a R/C car...

What’s more, these cyclops-looking goggles transmits sound and if you rotate your head, he does the same as well, talk about getting put on the spot!

Latest gadgets: Vision Tracking System Camera Car - it’s a R/C car…

Very unique idea indeed, but the VTS Camera Car may be too expensive for the average geek, costing £600!

Latest gadgets: Vision Tracking System Camera Car - it’s a R/C car…

Interested? You might want to watch this video…

Microsoft Surface multi-touch technology enhances Windows 7 on video…

Remember the video of the Microsoft Surface PC which we showed earlier last year? If you were impressed with that, then you will be even quite excited to see the same multi-touch technology applied in the same fashion on to a laptop running the next version of Windows: Windows 7.

Julie Larson-Green from Microsoft demonstrated at the recent D6 Conference saying that Microsoft is using part of the multi-touch technology from the Surface PC to enhance Windows 7. The operating system the demonstration is running on is a Dell Latitude XL with Windows 7.

Microsoft Surface multi-touch technology enhances Windows 7 on video…

This demonstration is basically showing how Microsoft Surface could enhance Windows experience on future computers, Windows 7 to be specific. As most will know by now, Windows 7 is expected to arrive in 2010 (click here to catch up), but what are the chances of laptops / PC monitors with multi-touch functionality becoming a popular, widely used product by 2010? The answer is probably not very likely, but the fact that Microsoft has demonstrated that they can already apply this technology to laptops, I reckon it shouldn't be too long before household PCs become like those in the Minority Report!

Enough of me rambling, here are some of things that were mentioned during an interview with two of Microsoft's most important people, Bill Gates and Steve Ballmer…

  • Windows 7 is apparently months away, due late in 2009.
  • Walt asks Ballmer if he's worried about the next iteration of Mac OS X, which will likely be released before Windows 7. Is there a risk that the work you're doing now with multi-touch will look dated when Apple (AAPL) releases its next OS?
    Ballmer says he's confident Microsoft will have fantastic Windows 7 PCs, regardless of what Apple's got on the market. "There's a lot in Windows 7, and our goal is to produce fantastic PCs with our hardware partners."
  • The conversation turns to Windows 7, which Microsoft hasn't said too much about. Clearly, the company has learned from the media beating it took over the defeatured and perennially delayed Windows Vista. Indeed, in a post to the Windows Vista blog today, Microsoft's Chris Flore noted that Microsoft is being very careful about releasing details about Windows 7. "What is a little different today is when and how we are talking about the next version of Windows," Flore wrote. "So, why the change in approach? We know that when we talk about our plans for the next release of Windows, people take action. As a result, we can significantly impact our partners and our customers if we broadly share information that later changes. With Windows 7, we're trying to more carefully plan how we share information with our customers and partners. This means sharing the right level of information at the right time depending on the needs of the audience."

Microsoft Surface multi-touch technology enhances Windows 7 on video…


[via AllThingsDigital]

Start Slide Show with PicLens Lite PicLensButton Microsoft Surface multi-touch technology enhances Windows 7 on video...


'In the right place at the right time'

via guardian.co.uk Technology by Owen Gibson on 5/25/08

Although Google's motto is "don't be evil", the setting couldn't more closely resemble a Bond villain's lair. Amid rolling Hertfordshire countryside, a country house hotel is playing host to the company's Zeitgeist conference. Inside, shifty-looking men in dark suits whisper into their sleeves as they co-ordinate the arrival of luminaries including Gordon Brown and Queen Rania of Jordan. Journalists are not allowed to walk around unaccompanied. And everything is decked out in the obligatory upmarket dotcom dressing - predominantly white, with the odd discreet Google logo. Free smoothies and Green & Black's chocolate are available.

Only Google would go to so much trouble to gather business executives from around the world in one place to talk global economics and green issues, when almost all of them look as though they'd rather be staring at their PCs and munching pizza. The YouTube founder and chief executive, Chad Hurley, is the exception - polite, down-to-earth and diffident but no stereotypical geek. Dressed casually but stylishly, he has a slightly earnest manner that betrays the fact that the next 12 months are crucial for YouTube, which was formed just over three years ago and sold to Google 21 months later for $1.65bn. Either it will capitalise on its position as the leading video website on the internet, or it will be remembered as nothing more than a transitional footnote.

Hurley, who has a worrying tendency to drift into corporate argot, is convinced it will be the former. His ambition is for YouTube.com to become a global "super distribution hub" - the means by which video content is distributed globally on PCs, mobile phones or TVs. The other big question is whether he and his co-founder, Steve Chen, both worth hundreds of millions of dollars before they turned 30, will stick around to make it happen.

"It's been a great relationship with Google. It has given us the freedom to continue to focus on users and create a product that would work for them and keep them engaged," enthuses Hurley. "It's also given us time to really work on the advertising opportunities that are going to work not only for the online community, but for advertisers and partners as well." He is acutely aware that the site has to start making serious money. And, with lawsuits from MTV-owner Viacom, the FA Premier League and Elvis Presley's estate looming, this will also be the year in which YouTube either solves its copyright and licensing issues for good or is sunk by them.

Sponsorship deals

Having developed a thriving, vibrant community - and defied those naysayerswho said it would implode under the pressure of lawsuits and users drifting off in search of the next online fad - the next step is to make money out of them. Put simply, the site must bring in enough cash to satisfy its new licensing deals, pay out to some of its most popular users under a scheme that allows them to share its revenues, and still contribute to Google's bottom line.

"They've given us a lot of independence. We've kept separate offices, they really push us to make our own decisions. We've been able to launch in 20 different countries since the acquisition and scale the infrastructure around the world," says Hurley. YouTube's phenomenal growth shows no sign of slowing - 10 hours of video are uploaded every minute and hundreds of millions of videos are viewed every day. But now Google is eyeing it to deliver the next stage. That will mean more contextual advertising around videos, but also more clever pop-up video advertising within them and sponsorship deals between brands and some of YouTube's most popular uploaders. Beyond that, it's clear he hopes to bring in big money through sponsored links of the kind that proved such a goldmine for Google.

"What people miss in the broader strategy of how we work into Google's plans is that we see a great opportunity for people to elevate or promote individual video content," he says. "We're going to give people the tools and the ability to promote a single video against our video catalogue search in the same way as they do in Google." Just as YouTube has levelled the playing field in content, he claims, so it will provide revenue streams not only for the big media players but also for nascent talent. "All the tools are going to allow everyone to participate. If you're an independent film-maker, you have just as much chance to promote your content as the traditional studios."

A happy alignment of different stars, such as widespread broadband and cheap camera-phones, made YouTube's phenomenal growth possible. It exploded thanks to the kind of silly user-generated content played ad nauseum to baffled broadcasting industry executives in 2006 (teenagers lip-synching to pop hits, exploding bottles of Diet Coke, etc), and a huge library of archive clips on just about any subject you could think of.

Now, insists Hurley, we are seeing those who have grown up with the YouTube revolution - video bloggers, independent film-makers, comedians - using it to bypass traditional broadcasters altogether and becoming much more sophisticated in their contributions. "People are starting to understand that - in terms of what the power of video can provide and the scale and the global footprint the YouTube service can provide. That's what sets us apart from our competitors."

Contrary to some predictions, its audience continues to grow. The latest figures from Nielsen Online show it had 11.6 million unique users in the UK during April, a 46% rise on last year. One of YouTube's best early moves was to allow its videos to appear throughout the web, on blogs and rival sites. Now Hurley says he wants to take that further, using its technology to power other websites and opening it up to developers. The vast majority of traditional media companies, he argues, have come round to the value of YouTube. Once they realised they were not necessarily in competition with it and could use the site to reach audiences they couldn't get to elsewhere, they have become far more enthusiastic about its potential, he says. The BBC, for example, is using YouTube to drive viewers to its iPlayer.

But there are still those significant hurdles. YouTube's business model relies on leaving it to copyright-owners to identify their own material, making use of fingerprinting technology and other tools to take it down if they want it removed. If that is successfully challenged, it could fatally undermine the site. He expresses some frustration at those who won't play ball. It's "kind of ironic" that they are not going after YouTube's rivals, he says, claiming they are not making similar efforts to help identify unlicensed content.

Tabloid headlines

He treads more carefully when it comes to YouTube's unsavoury offerings. Happy-slapping, glorifying gang culture, cyber-bullying - there isn't a week that goes by without YouTube content being called to account by tabloid headlines. "Whenever you're the leader in any industry, you get more headlines. The majority of the content on the site is appropriate," he insists. "We've been around a little more than three years and we've learned a lot in that time."

It is not just broadcasters who see YouTube as a route to an audience who are otherwise difficult to reach. On the day we meet, Gordon Brown has become the latest politician to join the YouTube club, awkwardly asking for questions on his new channel. Meanwhile, in the US, the looming presidential contest will be the first YouTube election. "People want to see something authentic. If it's too polished and highly produced, people might not trust it as much," Hurley says. "If it's grainy, if it's coming from a webcam, if it's someone standing there and talking their mind or sharing their thoughts, people trust it much more."

When asked about his personal fortune, Hurley reminds me that he and Chen went through the same experience at PayPal. When it was bought by eBay in 2002 for $1.54bn, the pair walked away with more than enough to invest in their next venture. "We weren't the founders of that company, but we were there, and we got the benefit of seeing it succeed. We were surrounded by a lot of people in a similar situation. Whether it's [Google founders] Larry or Sergey or other people like Mark Zuckerberg [Facebook], these people are basically friends. We're all coming from these simple ideas. We were all really lucky to be in the right place at the right time."

Hurley is either incredibly lucky or very talented. Most likely, a bit of both. At university he ditched computer science for graphic design. And it is his ability to straddle the worlds of technology, media and marketing that perhaps explains his success. He and Chen will stay at YouTube for a good while yet, he says, insisting it's his passion for the business, not filthy lucre, that keeps him motivated. "We're not sticking around because we need to. Financially, we could leave whenever we want. But it is seeing this vision through, having a chance to define some of these ideas and these markets. That's what is really driving us."

Curriculum vitae

Age 31

Education Twin Valley High School, Elverson, Pennsylvania; Indiana University of Pennsylvania

Career

2002-04 User interface designer, PayPal

2005 Consultant for several technology companies. Co-founds YouTube 2006 Founders sell YouTube to Google for $1.65bn





Phoenix ends 420m-mile journey and begins search for signs of life on Mars

via guardian.co.uk Technology by Aidan Jones on 5/25/08

Nasa's Phoenix Mars lander touched down on the Red Planet early this morning, in a mission that may yield evidence of primitive life amid the permafrost.

Mission controllers faced a tense wait as the £212m probe plummeted through the thin Martian atmosphere and used a heat shield, parachutes and jet thrusters to slow its descent from an entry speed of 13,000mph to just 5mph on landing, in what was dubbed "seven minutes of terror".

The craft, the first mission to Mars for four years, touched down at 12.53am, ending a 420m-mile, 10-month journey since it was launched from Cape Canaveral in Florida. The touchdown, the first soft landing by a spacecraft on legs on Mars for more than 30 years, was greeted with shouts and applause back at mission control.

Speaking ahead of the landing, Peter Smith, the mission's lead investigator from the University of Arizona, Tucson said: "If we get the signal all the way to the surface we'll be very happy and there's going to be tremendous cheers."

Using a robotic arm, the rover will pierce the topsoil of the Martian northern polar region, and for the first time take ice and mineral samples from beneath the surface to see if the planet could sustain life.

Water is known to exist on Mars as vapour in the atmosphere and as ice below the surface, but there is currently no water on the planet's surface. However previous Nasa explorations have revealed canyons and shallow lakes, suggesting water flowed billions of years ago.

Scientists believe that bacterial spores could lie dormant in cold, dry and airless conditions for millions of years, potentially reactivating when conditions change.

The first images were expected to take two hours to be beamed back to earth.

A British team from Imperial College London contributed to the mission, providing 10 tiny silicon discs, etched with a pattern of pits and pins designed to hold on to grains of soil and act as slides for the two onboard microscopes.

Speaking before the touchdown, team leader Dr Tom Pike, who previously worked at Nasa's Jet Propulsion Laboratory, said: "As we dig we're going to see what's been laid down by a series of arctic winters. We're not looking for the signatures of life at this stage, we're looking to see if the paper is there to write the signature on. What Phoenix could show is the potential for life, and that's a very interesting result on its own."

The success of the Phoenix landing is a major boost to Nasa's longterm Mars exploration programme, which aims to establish if life has ever existed on the planet and detail the geology and climate, ahead of a pioneering human exploration.

Nasa has not had a successful powered landing since the twin Viking landers in 1976. The last time the space agency tried was in 1999 when the Mars Polar Lander, angling for the south pole, crashed after prematurely cutting off its engines. The Mars rover missions used parachutes and airbags for their landings.

Backstory

There have been 40 attempts to reach Mars but two-thirds of them have ended in failure, the majority losing contact en route, burning up on entry or being dashed to pieces on attempting to land. Soviet missions Marsnik 1 and Marsnik 2, designed to fly past the planet, fell to Earth shortly after being launched in 1960. Two years later the Soviet Sputnik 22 probe exploded, and the first successful flyby was not until 1964 when the US Mariner 4 returned pictures of the dusty red landscape. The first successful landing took place in 1976 when US twin Viking landers touched down, took soil samples and tested them for signs of life. A Russian mission ended in failure when the launch vehicle blew up in 1996. Japan's single attempt to reach Mars failed in 1998 because of problems with its propulsion system. In 1999 Nasa lost three missions. In 2003 the European Space Agency's Beagle 2 probe disappeared before landing.





Netbytes: Hey, are you Worthy?

via guardian.co.uk Technology by Jack Schofield on 5/26/08

What if women ruled the world? Would Oprah Winfrey's face be on banknotes? Would Sex and The City's Carrie Bradshaw run the Pentagon? Would racing cars be pink? Would the electric chair have cushions? You can imagine the possibilities, or you can go to the Worth 1000 site and see them in glorious colour, thanks to the modern phenomenon known as Photoshopping. With Adobe's digital manipulation program, or something similar, people can make realistic images of almost anything.

Worth 1000 - named because a picture is worth a thousand words - holds a continuous stream of Photoshopping competitions. It sets themes and members do their creative best. Visitors comment and vote so the best rise to the top and the worst are culled. The result is usually a gallery of one or two dozen images that are well worth seeing. The site has been public since January 1, 2002, so there are now hundreds of thousands of them.

"If Women Ruled" is a typical theme, and Worth 1000 has five galleries based on that idea. Of course, "if X ruled" allows for endless variations. What if dogs ruled? We've also enjoyed the rule of babies, Canadians, cowboys, geniuses, goths, hackers, hippies, little girls, mime artists, pimps, pirates, rednecks, the Amish, the dead, and even Trekkies.

Celebrities are another great source of material, and galleries of what celebrities would look like if they had a sex change or went bald have been republished in newspapers. Advertisements, classic paintings (or "Ren") and popular movies are also grist to the mill. Worth 1000 is where you can see Ron ("Is your wand not working like it should?") in an advert for Wizagra, while Hermione features on the Official Harry Potter Home Pregnancy Test kit ("Works like magic"). Click on Galleries and look for Harry Potter Everything in the index under H.

Lots of entries are based on familiar paintings such as American Gothic, the Mona Lisa, Edvard Munch's The Scream, and Van Gogh's room in Arles. Just add an iPod, a TV set, or a copy of Playboy. Although Photoshopping is the core of Worth 1000, the site also runs competitions for photography, multimedia and text. There are tutorials and competitions for beginners, and "head to heads". There's the option to pay (in site credits) to enter some contests for the chance to win a jackpot. Companies can also offer cash prizes if they want a new logo design, for example.

You have to register to get the best out of Worth 1000, otherwise you can't see the images full size. Also, registering lets you add pictures to a favourites list, so you can find them again. Even better, you can see who else favourited the same pictures, and then look at thumbnails of all their favourites. This can be a quick way to find the sort of images you like.

Of course, while you can spend a lot of time looking at images on Worth 1000, it can take even longer to produce them. But everyone is welcome to have a go.





Triumphant return to the Red Planet

via guardian.co.uk Technology by Ian Sample on 5/26/08

At first, the probe checked itself over, taking snapshots of its dusty feet and freshly unfurled solar arrays, ensuring all was present and correct following its 422m-mile journey and high-speed descent on to the northern plains of Mars in the early hours of yesterday.

Then the real work began. The robotic arm flexed and swivelled, bringing the camera up and around to gaze at the alien landscape. Two hours later, Nasa's mission controllers had been sent the first pictures ever to be taken within the arctic circle of the red planet.

The $420m (£212m) Phoenix mission, which settled on Mars at 00.53 BST yesterday, represents a major milestone in Nasa's exploration of the solar system and its search for evidence of life elsewhere. Not since the Viking landers touched down in 1976 has a probe landed softly on the planet, using rocket thrusters to slow its descent. More significantly, Phoenix is expected to become the first spacecraft to touch water on another planet.

At Nasa's Jet Propulsion Laboratory in California last night, the final moments before landing were tense, but at every step the Phoenix probe matched or exceeded expectations. As it hurtled into the atmosphere, engineers foresaw a communications blackout as the searing plasma around the probe's heat shield blocked their radio link. When the moment came, the probe kept in touch all the way down, settling at a near-perfect 0.25-degree angle in the Vastitas Borealis, an ancient plain near the north pole.

"In my dreams, it couldn't have gone as perfectly as it did," said Barry Goldstein, the project manager on the Phoenix mission. "I'm in shock. Never in rehearsal did it go so well."

Yesterday, Nasa engineers began analysing the first of the images, some showing the intriguing polygonal patterns that scar the Martian arctic. One of the probe's mission tasks is to dig beneath the frigid surface to collect water ice and soil, which will be analysed by the probe's onboard laboratory. Mission controllers will be looking for signs of organic compounds in the water that could indicate that the now harsh environment was once hospitable, and even habitable.

"We see the lack of rocks that we expected, we see the polygons that we saw from space, we don't see ice on the surface, but we think we will see it beneath the surface," said Peter Smith, the principal investigator on the mission at Arizona University.

The landing marks the US space agency's first return to Mars since its twin rovers, Spirit and Opportunity, touched down in January of 2004.

"This is the first chance we have had to actually collect and analyse water on the Red Planet," said Keith Mason, head of Britain's Science and Technology Facilities Council.

"If we find water ice below the Martian surface we may also be able to find evidence of past life on the planet."

Over the next eight days, the probe will continue to take measurements of the Martian atmosphere and soil before using its two-metre-long robotic arm to dig down to what lies beneath. Onboard cameras and a weather station will record information about the probe's changing environment as night turns to day and the Martian seasons turn. The mission is expected to last three months, after which the arrival of winter will see light levels fall too low to replenish the Phoenix probe's batteries.

"We're all so relieved that Phoenix has managed to land safely," said Tom Pike, head of the UK Phoenix team at Imperial College London. "The descent and landing phase of the mission is one of the most tricky and hazardous. It's great to have made it down in one piece and now we can get to work uncovering more of the Red Planet's secrets."

The London team developed tiny silicon sheets that will hold dust and soil samples for the probe to examine with high-resolution microscopes.

Another of the probe's tasks is to monitor changes in the polar weather and how it interacts with the land and atmosphere above. In the arctic summer on Mars, scientists believe water vapour is released from ice at the polar caps and into the atmosphere.

David Catling, a scientist on the team from Bristol University, said: "Our priority now is to find out if there is ice below the dirt and whether it got there recently, or it is a frozen remnant from an ancient time when liquid water may have rippled across this part of Mars."

As the name suggests, the 350kg Phoenix probe arose from the embers of previous Mars missions, themselves failed or shelved in 1999 and 2001, but useful for their spare parts, from which the spacecraft was put together.



Viacom spat with Google over YouTube intensifies

via guardian.co.uk Technology by Jemima Kiss on 5/27/08

Viacom's $1bn lawsuit against popular video sharing site YouTube has escalated further, with parent company Google filing court papers in the US claiming the case could threaten the free exchange of online information.

Google submitted new court papers to a New York judge on Friday that said the firm "goes far beyond its legal obligations in assisting content owners to protect their works".

Making service providers liable for the actions of their users would, said Google's lawyers, "threaten the way hundreds of millions of people legitimately exchange information, news, entertainment and political and artistic expression".

Under the terms of the 1998 Digital Millennium Copyright Act, or DMCA, service providers are protected if they act swiftly in cases of reported copyright infringement.

While Google claims to have abided by the DMCA, Viacom alleges that YouTube's business model relies on "a vast library of copyrighted works" and that it struggled to keep count of unauthorised clips on the site.

The case, which was initiated by media giant Viacom in March last year, describes YouTube as part of an "explosion of copyright infringement" online.

Viacom last month claimed the site hosted 150,000 clips of its shows, including MTV Unplugged, South Park and The Daily Show with Jon Stewart.

Shows from Viacom subsidiaries including MTV and the Comedy Central have been watched "an astounding 1.5bn times" on YouTube, according to the company.

Industry pundits have predicted that the case will end with an out-of-court settlement, while others have discussed the increasing conflict between those seeking to protect copyright and advocates of the internet as an open communications medium.

Mike Masnick, a copyright expert on TechDirt, said media companies still thought of the internet as a content platform, whereas internet companies saw it as a communications medium.

"That's a problem for anyone who comes from a world of broadcast media, and it creates all sorts of problems for copyright law that is designed mainly to protect a broadcast-style media," he wrote on TechDirt today.

"The DMCA ... puts the onus on the communicator not to be breaking someone's copyright, leaving the communications platform out of it.

"Hopefully, the court will recognise the reality that the internet was always a communications platform, and it's just the broadcast media who are trying to force it to act more like a broadcast system," Masnick said.

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